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Friday, June 08, 2007

"in love with drama" cd download




Note: Just right click & Save Target As to download the songs!

Please do not stream or hot link! Posting direct links of these downloads to any other site and/or forum is strictly prohibited! If you want to share these songs, post a link back to this site. My bandwidth is not free and reserved only for my visitors. Please cooperate! Thanks and happy downloading and listening!

Track 01. Susanna Kwan - Speechless
(Themesong from TVB series Heart of Greed)
:: download - 3.58 MBs - 3:49

Track 02. Shirley Kwan - Only Once
(Subsong from TVB series Best Selling Secrets)
:: download - 2.97 MBs - 3:14

Track 03. Kevin Cheng - The Most Beautiful Seventh Day
(Themesong from TVB series The Seventh Day)
:: download - 3.53 MBs - 3:51

Track 04. Charmaine Sheh - Forbidden Love
(Subsong from TVB series Maidens' Vow)
:: download - 3.63 MBs - 3:52

Track 05. Liza Wang - The Last Empress
(Themesong from TV series The Last Empress)
:: download - 3.21 MBs - 3:30

Track 06. Raymond Lam & Linda Chung - Appreciated
(Subsong from TVB series The Heart of Greed)
:: download - 4.18 MBs - 4:34

Track 07. Bowie Lam - Right or Wrong's Grey Area
(Themesong from TVB series Misleading Track)
:: download - 3.55 MBs - 3:52

Track 08. Bosco Wong - Which Day
(Subsong from TVB series Dicey Business)
:: download - 3.01 MBs - 3:13

Track 09. Bernice Liu - I'm So In Love With You
:: download - 2.98 MBs - 3:15

Track 10. Ron Ng - Golden Strong
(Subsong from TVB series Men in Pain)
:: download - 3.75 MBs - 4:06

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Tuesday, May 22, 2007

a "maiden's" choice





I recently finished Maidens' Vow. As seems to be the case with most endings these days, the ending left viewers with an "open-ended" ending. Did Dai Sze Ga (Charmaine Sheh) ultimately choose to marry Fong Ga On (Joe Ma), who was waiting for her at the chapel confident she would come, or not?

Before I discuss my interpretation on the ending, I want to first reflect on Maidens' portrayal of marriage for women through the last century.





In the 1900's, women were forced into marriage. Marriage was the only way they could survive. Being unmarried or married at a late age was a shameful thing and most unmarried women suffered a hard life. They were viewed as incapable of making their own living; they had to rely on their husband to live and their only duty was to raise a family. With the fall of the monarchy in China and the invasion of Western culture, new ideas started to emerge, especially in terms of love and women's rights. The shocking thought of "free love" was sought after by young girls. They wanted to marry the person they chose, much to the displeasure of the older generation. In the 1960's, arranged marriages were gone and free marriage was the only way to go. Women were still expected to be a good housewife, but they began to have itches. Housework bored them and they hated being captured in their house, so they longed to go into the workplace and have a "life" other than being a wife. This idea strained some marriages because for his woman to work, this means the man was incapable of providing for her - a thought husbands wouldn't have. In current times, marriages come and go. Divorce rates are high and the value of "marriage" seems to have lost a lot of meaning. Nevertheless, most people still want to get married.

Sze Ga lost faith in "marriage" and thought that only "idiots" would get married. Of course, this isn't mean to say she doesn't believe in "love"; Sze Ga is a passionate romantic. She loves being in love. She fatefully got to know Ga On and fell deeply in love with him, spending several months happily "living together." "Cohabitation" is a new concept that emerged with modern times. Couples would live together just as any other married couple would do... without the marriage. It's a revolutionary concept and serves as a way for some couples to test whether or not they can stand being "married." However, statistics show that cohabitation prior to marriage has a significantly higher rate of that marriage ending in divorce. Sze Ga and Ga On began to have problems resulting from misunderstandings, so they broke up and Sze Ga moved out.

Their "fate" didn't end there though; Sze Ga discovered she was pregnant. At first, she was going to abort, but the thought of losing her child made her change her mind. She was going to a single mom. The "single mom" is also a new idea that came out in modern times. It is a bold move for a woman to raise a child on her own, especially with all of the financial implications of raising a child these days. However, as more modern women lose faith in men, but still love children, they opt to be a "single mom" instead. Some women even go so far as having a child on their own - a radical "self-fertilization." Sze Ga happily raised her child, but as the heavens decided (or rather the TVB writers) that Ga On came back and learned that he was the father of the baby. She slowly lets him back into her life.

Finally, their misunderstandings are cleared and Sze Ga and Ga On reignite their love. The family of three spends blissful days together - still without a marriage certificate. Ironically, the roles are reversed for this modern couple. It is the guy who wants marriage and it is the girl who refuses. Ga On has always wanted to be married because it gives him the security of being a "family" - something he desires. Ga On knows that there is no other lady than Sze Ga for him. He persistently suggests that she marry him, but in vain. Finally, he makes one last request and tells her that he'll meet her at the chapel, where it will be an unelaborated ceremony. He knows she doesn't like to be flashy, so he wants the ceremony to just be between the two of them.





He waits for her at the chapel. The priest grows impatient and asks if she's going to come. He answers confidently that she would. However, Sze Ga is nowhere near the chapel. Instead, she's at The Phoenix, feeling carefree and happy, reflecting on her ancestors and their trials and tribulations with marriage. Abruptly, she seems a rainbow. In a previous episode, her great-great-grandmother, Ngai Ju Fung, told her that whenever a "rainbow" appears, it means that it's the right decision. Then, she turns around and sees a bright white light and a phoenix coming out of the elevator. She smiles self-assuredly and the ending credits roll.

So what happened next? It's up to each individual viewer to decide.





I believe that Ga On - her true happiness - comes out of the elevator. He accepts her decision not to marry. After all, like she said, if the only difference that would happen to their relationship once they were "married" was a marriage license, then what was the point? She felt that marriage was too "binding" and "suffocating" and she feared that their good relationship might be strained or ruined consequently. Therefore, I believe that Sze Ga will not marry Ga On. Instead, the two will embody everything that marriage symbolizes without the marriage license. Ironically, these two probably show how marriage is supposed to be better than "married" couples. They trust and love each other unconditionally... and what could be better?

Furthermore, the [corny] "rainbow" confirmed her decision. It made her assured that she made the right choice in not going to the chapel to get married because the decision was made from her heart. It's a happy ending and also the best way to conclude the series. As Sze Ga always says, the only thing that matters is happiness in love and this maiden's happiness in this case comes from not choosing marriage.





My opinion: I thought that Maidens' did a passable job at portraying the concept of "marriage" through the ages. The highlight of this series is without a doubt the entire 4th generation. The writing was snappy and fast-paced and it was realistic and meaningful. I felt that the first two eras were too pretentious, shallow, and sickeningly clichéd. A major flaw of the 2nd generation is that they lose the characterization of Wong Jee Gwan after she elopes with Li Gat Cheung. Suddenly, Jee Gwan becomes so soft. It was like they were two different people. However, Charmaine looked absolutely stunning in the 2nd half of the 2nd generation. The 3rd generation was way too silly for me. Although there were some cute and funny moments, that generation was too draggy. The final quarter of the series redeems Maidens' and takes it home for the team.

The cast acted the best in this era and it was ingenious. For the first time in a long time, Charmaine's acting was impressive because the role was different and she was very convincing. I have to say she looked so pretty after her make-over. Joe was disappointing. After his breakthrough in The Conquest, I expected so much more... Perhaps it was due to bad characterizations, but Joe retreated from commanding the screen to more mediocre and rather bland performances.

Going back to the plot, the 4th generation shocked me with how provocatively sexual it was (however, if it wasn't, it wouldn't be as representative of modern times). Overall Maidens' is a relatively mediocre to underperforming series. The 4th generation is Maidens' saving grace because it is fantastic story-telling with multi-facet characters and it ties the series together wonderfully; I just didn't care for the first 23 episodes. Watching the 4th generation only would suffice. The first three are the same old, same old with very little surprises and delights. Maidens' had the potential to be an amazing series because the concept of the "four generations" is innovative, but its execution ultimately causes the series to falter because of clichéd writing and poor characterizations (besides the last generation).


Rating:

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Friday, May 11, 2007

tvb: bold and beautiful





S.e.x. - there I've said it. In our eastern culture, "sex" is regarded as a taboo subject. It exists [If it didn't, why would China have the largest population of any country in the world?], but we don't like to talk about it. Although modern times have made us more open to the subject, compared to western culture, we're still pretty modest about it. I mean, can you imagine Asian parents talking to their kids about sex like American parents do? Perhaps I'm too conservative, but I really cannot fathom that.

TVB has become a lot bolder in terms of sexuality, especially in 2006 and maybe more so in the years to come.

Pushing the limits
La Femme Desperado was very provocative and daring in terms of female sexuality.





The first episode talked about bras and how to find the right "fit." An episode later on dealt with tampons. Femme also vaguely talks about menstruation at several points. Never had feminine products, hygiene, and health been talked about so openly in a TVB series.

In another episode, Sheren Tang's character ("Hilda") actually barges into the men's bathroom to find Michael Tse's character ("Man"). She basically shows him that she was a force to be reckon with. To add emphasis, she even daringly rips off his towel to expose him! In the scene right after that, Michael puts on suntan lotion for her suggestively while she's in a bathing suit.





Sheren basically plots to "rape" Raymond Lam's character ("Chai Foon") in Femme in order to have a baby. The first time, she drugged him too much, so he was useless to her since the part she needed was depressed along with the rest of his body. The second time, they go so far as to even kiss, but the "rape" is stopped by "Ko Ling" (Melissa Ng)...

In an attempt to lure Raymond to test if he's really a faithful and respectable man, Melissa's character becomes very flirty and sexy. She unbuttons his shirt and runs her hands on his body and practically offers herself up while she pretends to be "drunk" in a hotel. These scenes were hilarious and ultimately no sex scene resulted, but the tone and atmosphere was very sensual for TVB's standards.

Let's talk about sex
The fourth generation of Maidens' Vow was shocking in how much the storyline revolved around sex and its usage of sexually explicit scenes and dialogue. I lost count of how many times "Sze Ga" (Charmaine Sheh) and "Ga On" (Joe Ma) kissed passionately. In one scene, "Ching Ching" (Sherming Yiu) was helping "Sze Ga" spice up her relationship. She took her to a sexy lingerie store and helped her to pick out some items sure to please "Ga On." She then suggested that "Sze Ga" turn herself into a "human dessert" by covering herself with some food items (whipped cream and chocolate syrup). The two of them were very free in discussing sexual matters.





Sherming's character is sexually free. She loves dating multiple men and has a lot of experience in the sexual department. She's not shy about admitting her promiscuous nature. Once, she even suspected that she contracted HIV.

In Men in Pain, Rebecca Chan and Florence Kwok's characters question Louisa So's character about the status of her sex life. They are shocked to discover that she and Damien Lau's characters haven't had sex in half-a-year. They suspect Damien of having an affair consequently because it's unlike men not to want sex. They also suggest that problems in bed best indicate problems in a relationship. Louisa's character tries repeatedly to get Damien's character to sleep with her, totally unaware he has one big "problem" (discussed below).

The word "condom" has been used before in past series, but Maidens' was the first time that I saw actual condoms on-screen. Whether it was "Pang" (Wong Hap Hei) rushing to buy condoms in the midst of a hot and steamy make-out session with "Ching Ching" or "Ching Ching" hiding condoms in convenient places all over her house, condoms were everywhere. In the scene after "Ching Ching" decides she wants to have a baby and be with "Pang," they are about to have sex and he stops to get "something important." She smiles and asks "Aren't I most important?" and they have sex without that "something" for the first time.





More action, less symbolism
Before, TVB opted to imply when sex happened. These days, TVB has less qualms about filming bed scenes. They will film passionate kissing scenes before doing the typical "fading away" to hint that sex happened afterwards. Not only that, sometimes TVB will go further and film some suggestive scenes on the bed (or wherever the characters decide to "do it"). I've read news that Myolie Wu and Raymond Lam filmed a bed scene for upcoming 2007 release The Master of Tai Chi. Men received complaints from viewers because of a bed scene between Damien Lau and Louisa So. In the scene in question, Louisa was sitting on top of Damien, trying to strip his clothes off so they could have sex since she was "hot" and "heavy" for him as a result of their sexual drought.





I've also noticed that TVB's way of filming kissing scenes has changed. In the past, "kissing" involved the couple pressing their lips together. These days, it's tongue and lip-on-lip action. I wonder if artists have learned how to kiss now? Or is TVB actually requiring them to kiss now? In any case, kissing scenes are a lot more passionate these days.

When it can't go up
Erectile dysfunction was a major issue that Men dealt with. Older men tend to have problems "getting up" - hence, the popularity of drugs like Viagra, Cialis, and so on. Damien's character in Men couldn't have sex with his wife, Louisa So's character, because he was too stressed. The series chronicled his trial of western drugs and eastern herbs in an attempt to fix his downer.





In the last story of Maidens', "Pang" also developed erectile dysfunction after Sherming kicked him "down there." Even at the sight of beautiful girls, he couldn't "get up." Sherming tried to help by giving him porn to watch, but that was also useless. It isn't until he accidentally lands on top of Sherming that the "feeling" returns and his buddy goes up again. He tells Sherming in a rather romantic way that only she gives him the feeling to have an erection. The two then go on to have sex.

Borrowing 'seeds' like borrowing sugar?
You heard it in Femme, Men, and even The Dance of Passion. The concept of "borrowing seeds" was rampantly used last year as a core plot device. The basic idea is that a female character sleeps with a male character solely for the purpose of using his "seeds" to get pregnant and have a baby.





"Hilda" wanted to have a baby - but not a husband - so she went on a quest to borrow the seed of the best man possible. Borrowing seeds was very important for Dance as "Dung Yeung" (Kenny Wong) - the male successor to the "Sung" clan - couldn't get his wife pregnant even after many years. The exact reason for his infertility is unknown. Regardless "Long Yuet" (Maggie Siu) cannot conceive consequently. "Dung Sing" (Moses Chan) suggests that the couple "borrow seeds" in order to have a child and reclaim power. They back out, but it is the concubine of "Dung Yeung" - "Chun Fan" (Charmaine Sheh) who goes on to "borrow" the "seeds" of "Dung Sing", but eventually loses the baby. I didn't watch Men, but I was told that it also had a subplot involving seed borrowing. Men and Femme were produced by the same producer, so it's not surprising that he reused the similar idea of "seed borrowing" as one series focused on male sexuality whereas the other discussed female sexuality.

How much further will TVB go?
I don't think TVB will ever become as sexually open as primetime shows in America. They would receive so many complaints from parents! Unlike primetime series, TVB caters to whole families. Its business and traditional revolves around family viewing. While some series may be more mature than others, for the most part, TVB can be viewed by the young and old alike. Even though younger parents are and will increasingly become more free about sex, I think that there's still a tendency - rooted from eastern morals and customs when they were socialized as children - to be more modest and reserved and keep those matters as intimate privacy. I'm this way and I think a lot of Asians are as well. It's just part of our culture and I think it's nice. It keeps us unique and I don't see anything wrong with being conservative.

I don't know about you guys, but I feel so embarrassed when I watch bed scenes in TVB series. For American TV, I can watch them without any reservation or care really, but when it comes to TVB, it's uncomfortable. Don't get me wrong, I am a sexually-embracing person, but it feels so awkward and embarrassing for me to see it in TVB series. Personally, I like it when TVB keeps the sex scenes symbolic - dimming of the lights, fading away, and so on. It's just so much more romantic than seeing two people pretend to romp around on a bed. When it comes to story-telling, I think sex is depicted much sexier when shown with class instead of being all raw.

I think it's good that eastern culture is becoming more open about sexually-related topics because it's a part of life. It's healthy to talk and know all of the facts rather than just keep the matters private and then end up with a disease that could have been prevented. I thought it was good that Maidens' indirectly (or perhaps intentionally?) promoted the usage of condoms when having sex. Condoms are crucial, especially when having casual sex or even sex in serious relationships. Even if you trust your partner, there's no telling what diseases he/she may unknowingly carry. It's always better to be safe. I also think that with TVB incorporating sex talk and sex scenes into their modern series, it makes them more realistic. Modern people embrace their sexuality like no previous era before them and there's no doubt that sex plays a big role in many people's relationships and life. In this sexually free modern time, it's refreshing to see TVB embrace current times and trends, addressing and incorporating them. There's nothing dirty or wrong about it.

What do you guys think about TVB and sex? Have they gotten bolder with their portrayals? How much further will and can TVB go? What about our culture - will the modesty and reservation that we feel about sex remain for years to come or will our culture become so westernized in the future that we stand to lose it?




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Saturday, May 05, 2007

comic tease / issue.4


Issue #4 featuring Maidens' Vow













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Sunday, August 20, 2006

series 411: "maidens' vow"





English Title: Maidens' Vow
Cantonese Title: Fung Wong Sei Chung Jau
Vietnamese Title: So Phan Hong Nhan
Casts: Charmaine Sheh, Joe Ma, Sammul Chan, Sherming Yiu, etc.
Length: 30 episodes (Cantonese) // 23 tapes (Vietnamese)
Release Date: August 2006 (Canto) // November 2006 (Viet)
Genre: Ancient/Period/Modern Drama


Note: Please credit "MetalAZNWarrior" and/or this site if you should use my translation of the series' plot! I worked hard to translate it, so please don't just steal or use it for another site without my permission and/or credit. Thank you!


Synopsis:
Women's perspective has sympathy
Men's perspective is clear after soberness
A hundred years of relationships between two sexes face observation


One family's business passes through four generations of women and their destinies, reflecting the marital relationships of different eras; women face all kinds of pressure.

At the end of the Qing dynasty, Ngai Ju Fung's (Charmaine Sheh Sze Man) family fortune is on the decline. She has no choice but to marry Wong Yuk Lun (Sammul Chan Gin Fung). However, he ruins his family's business. Fung is forced to sell the gift that her first love, Yue Chi (Joe Ma Dak Chung), gave her in order to open The Phoenix ("Fung Wong Lau"). Her story reflects the pain and sorrow of arranged marriages and shows how women can firmly face and resolve great oppositions.

During the May 4th (1919) event, Fung's daughter, Wong Jee Gwan (Charmaine) falls for her teacher, Li Gat Cheung (Joe) and they plan to elope in Tianjin. However, the two end up parting. Gwan returns to Beijing to find The Phoenix close to a demise. Her story reflects the strives that women make for marital freedom, ending up fending for themselves.

In the 1960's, Fung's great-granddaughter, Bak Wai Jan (Charamine) works in secret, unbeknownst to her husband, Dai Lap Yan (Joe). Out of retaliation, Yan has an affair. Their marriage comes to an end. However, this brings the two to work hand-in-hand for the better of The Phoenix. Her story reflects how women's fight for equality ends up with an interesting outcome.

In the twenty-first century, Fung's great-great-granddaughter, Dai Sze Ga (Charmaine) and Fong Ga On (Joe) end their cohabitation because they don't want to be restrained. After the separation, Ga takes hold of her family's long-time business and adds a new branch to it, extending its longevity. Her story reflects the freedom that women have gained at the expense of losing life's focus.

My thoughts: I was quite impressed with Maidens' Vow's poster when I first saw it. I loved the way TVB designed it and how it reflects the changing eras. In a way, it reminds me of my own layout in which I created Virtues of Harmony's timeless looks through the ages. However, I wasn't very interested in the series because it seemed a bit dull from news and the cast doesn't impress me much. After seeing all of the clips and pictures that Sehseh updated to her blog, my curiosity towards this series rose.

It seems quite interesting and I love the idea of the "four generations." The costumes are great and it's so nice to see so many different looks in one series! I've always been fond of "big" series as well and there are certainly a lot of characters in here! After translating the synopsis, my interest in Maidens' is pretty much set in concrete. The storyline seems quite good and intriguing; I look forward to seeing it. I hope it will live up to how great it looks and sounds. Still, there's one thing I don't have hope for - Joe Ma's acting. He is always so boring! I reckon the other casts should make the show lively. Charmaine Sheh looks pretty nice in most of her looks.

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